In the last two episodes of our Kanreki tribute last month to the life and work of Joanne Rowling Murray, a.k.a., ‘J. K. Rowling’ and ‘Robert Galbraith,’ as celebration of her 60th birthday, we first explored perhaps the most ubiquitous and mysterious ‘Golden Thread’ that runs through her work, namely, that of a ‘Lost Child.’ We reviewed the forty plus appearances of this plot point in the just over twenty books she’s written and searched for possible ‘Lake’ sources in her life for this persistent, prevalent, and essential plot point.
The most credible but entirely speculative possibility was that Rowling had had an induced abortion during her relationship with ‘Michael,’ her off-and-on for seven years boyfriend from Exeter. On Rowling’s birthday, we discussed the value this possibility has for interpreting her work, specifically in understanding the Harry Potter novels; most notably, the hypothesis would explain why every book features the exteriorization of something dangerous or deadly within and its beneficent elimination. In brief, the Hogwarts Saga, when read through this unresolved issue of Rowling’s unconscious mind, seems to have been inspired and written as a defense for the intentional death of her child.
In addition to explaining how this view of induced abortion as simultaneously necessary for women and the murder of an innocent, defenseless, and voiceless human being is the view of contrarian feminists such as Germaine Greer and Camille Paglia, we offered the Induced Abortion Hypothesis as the most obvious explanation for the Lost Child Golden Thread and demonstrated its potential critical value, if true. We asked repeatedly for listeners to share their objections to the hypothesis as well as alternative explanations for the Lost Child Golden Thread.
And you did!
The listeners who had followed us through the thirty-one Kanreki Lake and Shed conversations voiced in the comments beneath those posts both their discomfort with the idea and their admiration for the sober way we presented it. There were three challenging responses, as well, to our request for alternative explanations to the Lost Child Golden Thread: an argument from the biological make-up and consequent concerns of women everywhere, the point that “exteriorization of an evil within for elimination” is at least as easily read allegorically for the Christian doctrines of original sin and grace, and a find that the Gloria Conti story, the only explicit abortion narrative in Rowling’s work, was lifted straight from The Godfather, Part 2. [See below for links to the sources of these three alternatives.]
We discuss these three alternative ideas in the video above, their strengths and weaknesses, and applaud the one listener who shored up[ the weakest part of the Induced Abortion Hypothesis reading of Harry Potter, namely, how Prisoner of Azkaban fits the ‘exteriorization for elimination’ pattern in that series. We close with thoughts about the imminent arrival of Hallmarked Man and our first thoughts of how we will be reading it at Hogwarts Professor — the subject of our next conversation in addition to our thoughts about the first releases and conflicting synopses for Strike8 that are in circulation.
Please share your thoughts about alternative theories for the Lost Child Golden Thread and your ideas about how you would like us to cover Hallmarked Man. Thank you, as always, for joining us and for your support!
Links to Alternative Explanations for the Lost Child Golden Thread
Nikolaus Wandinger, Christoph Drexler, and Teresa Peter: The Christian Alternative Theory to the Induced Abortion Hypothesis (June 2004)
Aurore’s argument from the Biological Facts of Life about Being a Woman:
Whether or not Rowling herself has had an abortion, I think it makes sense she’d want to comment on the topic given her golden threads about violence against women & girls, pregnancy traps, and mothers’ love.
It occurred to me after writing that comment: I don’t think a woman has to have personally experienced an abortion to have spent most of her life thinking about the subject… I reckon a big part of the female psyche, from the time one is a girl, is a strange combination of awe and terror at the fact that falling pregnant is a power we have, but not necessarily one we can guarantee will always be in our control.
In my country, a 2023 landmark study showed 1/3 girls are victims of Childhood Sexual Abuse. But much more mundane than sexual and domestic abuse, I’ve known straight friends to fall pregnant by accident, even while using contraception.
I think it’s a very unique issue in a girl or a woman’s psyche because, on the one hand it is one of the worst possible consequences of rape, and therefore is part of women’s (as Mad Eye would say) constant vigilance about the threat and reality of male-pattern violence. But on the other hand, and however an individual woman feels about children, it is something both inspiring and grave. As Spider-Man’s Uncle Ben said, “with great power comes great responsibility!”.
David Martin about The Godfather 2 as the Model for Gloria Conti’s Abortion in Troubled Blood
In re Gloria Conti’s abortion that Margo arranged for her: You will recall that Gloria Conti became interested in what seemed to her to be the “glamourous” Mafioso lifestyle by seeing the film The Godfather (1972). It may be worth noting that at the end of the film The Godfather: Part II (1974) Michael Corleone believes that his wife, Kay Corleone, has had a miscarriage and that her sorrow over that miscarriage is what has made her depressed. In an angry rant Kay tells him instead that she had an abortion, aborting what would have been his son, because she does not want his crime family to go on and she wants out. So – We have two (fictional) women, each seeking to limit or escape their involvement with a mobster and using the same means to do it. Even if Gloria Conti did not see The Godfather: Part II it’s perfectly possible – perhaps even likely – that JKR did and so may have borrowed a bit of the plot.
"Strike paid in pain for the walk through the woods at Chiswell House the next morning. So little did he fancy getting up out of bed and heading downstairs to work on a Sunday that he was forced to remind himself that, like the character of Hyman Roth in one of his favourite films, he had chosen this business freely. If, like the Mafia, private detection made demands beyond the ordinary, certain concomitants had to be accepted along with the rewards." Lethal White ch 45
Ed Shardlow’s Prisoner of Azkaban Notes supporting Induced Abortion Hypothesis
Hi ladies and gents, I've been on holiday and just catching up on the end of the Kanreki series. I see that Snake Wood wasn't the big reveal because you were saving that for the final chapter!
Even the penultimate episode enumerating all the lost children and speculating on that theme's lake origins didn't dilute the impact of seeing how the classic Rowling themes of coercive relationships, motherly love, pregnancy traps, the protection of family and so on, not only come together in that one golden thread, but how it does indeed illuminate the whole HP series.
It certainly has the ring of truth for me. It certainly explains why morality and mortality are the crucial core to its meaning. The last episode was definitely one of those lightbulb-moment experiences for me. Love it!
I feel like there may be more abortion analogies in Azkaban... Perhaps the wolf inside Remus? I think there's something quite uterine about the shrieking shack... And maybe something obstetric? There's also the execution of the innocent Buckbeak. And the Dementors taking the souls of their victims, against whom the remedy is a reassuring and inspiring Patronus. Perhaps that's the embodiment of the good dad, saving the innocents under their guardianship.
This thread also offers another interpretation of The Christmas Pig - the traumatically obliterated DP, forever consigned to the land of the lost, and the replacement CP, carrying the love of his lost brother.
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